The Wheel House booking information, advice & credits:
Technical specifications summary

NB: THE FOLLOWING IS A SUMMARY ONLY. It is essential that you download or request an up to date version of The Wheel House technical specifications sheet sufficiently prior to the booking.

•    The Wheel House  is a personal piece of theatre that happens within touching distance of the spectators, and therefore does not require a 'set' or cordoned off area. Public thoroughfares that encourage passing interaction with small groups of people are ideal. Large public locations around which the route can take the form of a circuit are also suitable.

•    The Wheel House is suitable for both indoor and outdoor events.

•    The Wheel House has its own internal lighting, so works equally well both in daylight and after dark.

•    As a piece of strolling performance, The Wheel House travels through the crowd performing to the nearest spectators, and thus can comfortably cater for both large and small events.

•    It can be performed on most surfaces, including grass, as long as it is completely level and dry.

•    We are unable to use the equipment in high wind, rain, stormy conditions, or on wet surfaces.


Basic information

•    Strolling theatre performance
•    Duration up to 45 minutes per performance
•    Three performances per day maximum
•    Please request a technical specifications sheet prior to booking
•    Ideal for outdoor and indoor events
•    Works well in daylight or after dark
•    Needs dry and even ground

Artistic team

Barnaby White: concept, visual design, construction, theatrical development, performance and film edit
Jeni Barnard: concept, visual design, construction, model construction and performance
Terry Barnard: structural design, construction
Flick Ferdinando: direction
Ilona Karas: costume design and fabrication
Stuart Wyatt: photography
Mark Morreaux: camerawork
Judy Barrington-Smuts: theatrical development
Jo Pilbeam: photography and technical support
Ellie Barnard: assistance on construction
With our special thanks to Maggie Clarke and Without Walls.